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It was, in other words, the embryo of Reaktor.
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Generator allowed the user to construct instruments from low-level modules - oscillators, filters and so on - connected together in a graphical interface. Stephan teamed up with self-taught programmer Volker Hinz, and they drew up the plans for a modular synth environment.
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When Stephan found himself unemployed shortly afterwards, it was a perfect opportunity to try to realise his vision of a software synth.
I wanted to bring the stuff that was established only in the academic field to everybody, or people like me." New Generation "I was thinking about something similar, but on simple cheap PCs, with cards as cheap as possible, but in the end the cheapest solution was to create a software-only system. "The main advantage of a computer of course is its screen and its input/output abilities." Other organisations such as Ariel/IRCAM and Symbolic Sound were already experimenting with computer-based synthesis, but their implementations required expensive DSP cards.
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"When I was reading about this PC stuff, for me the picture somehow became clear that the PC is a very good platform to build synthesizers on," remembers Stephan, NI's founder and President. Stephan also has his Yamaha DX7-II with him - a synthesizer with a notoriously difficult user interface. At the house where he is staying, the only reading matter is a copy of the German computer technology magazine c't. It's the early '90s, and hardware engineer Stephan Schmitt is taking a vacation from his job developing mixing consoles. Photo: Ingo KniestĪs Native Instruments celebrate their 10th anniversary we go behind the scenes at the company, remember the highlights, and look forward to the next decade in software instrument design. Native Instruments are distributed in Australia via CMI.NI Founder and President Stephan Schmitt (left), and CEO Daniel Haver. We can’t wait to see what sounds producers will be able to wrangle out of their MIDI keyboards with this insanely powerful synth engine. With all these features on the table, it’s safe to say that the hype for Massive X is pretty high. In addition, Native Instruments are also offering an expansive nine modulation options via envelopes and LFOs, as well as a virtual click and drag modular interface to create just about any frequency and phase modulation you could ever think of. This means you can add up to three more oscillators to the two main wavetable oscillators, essentially comprising the basis of subtractive synthesis. Massive X is also set to feature Insert Oscillators, which can be added into the effects section of the soft synth. Like Massive’s old filters, these are expected to be incredibly flexible and intuitive, offering users a range of tweakable sounds without having to deep dive into other parameters. There’s also two phase modulation oscillators to modulate the main oscillators, as well as a noise section to dial in that blissful synthy pink and white noise hiss.Įlsewhere, the filter section contains eight new filters, which include standard low, band and high pass filters as well as comb and dual filters. According to Native Instruments, Massive X will feature two wavetable oscillators and will be launched with 125 wavetables, which are able to be operated in ten different modes for enhanced tweakability. In a recent blog post, Native Instruments have shared further details of the follow up to the synth, which is expected to be released some time in June as part of their Komplete 12 package. Arguably one of the most used soft synths of the modern era, Massive became a cornerstone instrument to electronic producers in the early 2010’s due to its extremely powerful and intuitive virtual interface, with the likes of Diplo, Skrillex, Avicii, DeadMau5 and other EDM artists utilising it prominently throughout their works.
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